Even if Verner Panton's creative output was reduced to the eponymous Panton Chair, his name would still be assured in the pantheon of modern design. With the Panton Chair, the first example of single-formed injection moulded plastic seating, Panton succeeded in creating one of the most daring and famous chair designs of the twentieth century.
Born on the island of Funen in Denmark, Panton came to design, like many of his colleagues, via the study of architecture at the Academy of Art in Copenhagen. After graduating, Panton landed an apprenticeship at the office of Arne Jacobsen, assigned to assist the master on the iconic "Ant" Chair. Although deeply influenced by the organic forms of Jacobsen and others typical of 1958. Panton first established himself at the forefront of avant-garde design with furniture based on extravagant, geometric forms and use of strong colors, such as the Cone Chair of 1958. Along with the Panton Chair, which was designed in the early 1960's, but was not put into production until 1967 due to its technical challenges, these designs cemented Verner Panton's reputation as a designer of an original and uncompromising approach.
Verner Panton's cantilevered stacking chair (1960) was the first single-material and single-form chair to be made and has been produced by Vitra through three decades of development in plastics technology. This version consists of a single piece of strong, flexible polypropylene with integral color that will not fade over time. As striking as modern sculpture, this classic piece is appropriately durable and easy to clean in cafés or restaurants, and is comfortable enough to use as an occasional chair in an office or residence. Made in Switzerland.